All posts filed under: Feminism

Rape Culture, Capitalism and India

By Saswat Pattanayak Looks like, rape still continues to shock virtuous people in India. Or was it just this latest one? The one that took place in Delhi? Was it because the “izzat” of India’s capital city has now become the new concern? The honorable India has to be reclaimed in all “her” full glory where the goddesses are worshipped and women assaulted? Or is it that the unprecedented outrage in Indian society today owes to the fact that this rape was of the “more brutal” variety? Since most of us don’t do that kind of “iron rod” rapes. We are the gentler varieties? The very fact that instead of debating about the status of women in Indian class society, we are expressing disgust at an incident of rape says the extent to which we have surrendered ourselves to corporate media agenda-settings. Sure, the rape was gruesome and sure a woman was tortured and probably shall not survive. But the nonplussed manner in which the Indian society at large is responding to this incident underscores …

Obama is winning his War on Women Candidates

Democrats are desperately seeking more women to come out and vote today, preposition being Obama is the natural choice for women in this country and with more women voting, more is the likelihood of him getting reelected. To draw home that point further, the Democrats under Obama have devised a phrase “War on Women” to discredit their assumed rivals. And liberal women are all lining up to vote their Messiah who has emerged as the White Knight, rescuing distressed damsels of Sandra Fluke variety who subsumed under propaganda of the liberals are uncritically and unconditionally making uninformed choices while reelecting their male boss from the White House. “War on Women” is a phrase only the Democrats could have come up with, considering they have been waging wars against women for decades. And in recent times, they have been battling women at the electoral polls. And yet a sizable section of liberal feminists continues to identify with their oppressors rather than with their comrades. Obama/Romney vs Lindsay/Stein: Comrade Peta Lindsay is the latest victim of Obama …

Michelle Obama and American Status Quo Action Plan

Michelle Obama’s convention speech has been both applauded and criticized for being too emotional. Those amazed at her love towards her husband have shed a tear or two, while the detractors are disappointed at her personal narrative lacking statistical substance. A critical inquiry would reveal that her speech was anything but emotive. It was a carefully orchestrated rehash of an old American fixation with individual merits, family values and competitive prosperity. Her speech was a blueprint for humanizing capitalism. It was a justification for the status quo politics that has uniformly strengthened a populist cry for American hegemony; decade after decade, regime after regime. Michelle Obama’s speech has merely colored the template acceptable. Michelle Obama’s Reaganesque slant has been systematically downplayed precisely because Democrats are still hanging on to the portraits of FDR as their last success story, while Republicans do not wish for their anticommunist legend to be confused with the so-called socialist rival they are pitted against. Michelle Obama’s narration of her (and the president’s) upbringing was not a condemnation of a racist …

Oscar Awards: White Elephant in the Room

By Saswat Pattanayak Its not about Viola Davis not winning the Oscar. What’s murkier is the psychoanalytic dependency of Academy elites on their colonial legacies: The Queen, the King and now the utterly despicable Thatcher! The rejection of “The Help” actually offers a timely insight: choosing between the white guilt and the white pride has not been very difficult; beckoning to the colonial era has been easier than reevaluating racist legacies. However, this is not the most crucial issue. The overwhelmingly positive obsession of the world with the Oscars is. Here is an award ceremony that is inherently Eurocentric and its recognitions have traditionally been conferred upon mainstream movies upholding the status quo. Academy selectors foster visibilities of selective agendas and validate their approvals. They establish norms of achievements and standards of successes. They throttle thematic diversities and control creative boundaries. They celebrate commercial triumphs and hand out golden statues. They convert a quintessentially free form of artistic climate into a corporatized “industry” of thriving multimillionaires. All this while treating the Euro-American initiatives as comprising …

SlutWalk Must Evolve Into WomanWalk!

SlutWalk has turned out to be a phenomenal movement on a global scale, aimed at challenging rape culture, rampant sexual violence, victim-blaming and slut-shaming in our society. Historically, in the garb of tradition, culture and mannerisms, men have conveniently imposed upon women certain moral standards that upholds patriarchy, reduces women into objects of either desire, lust, or procreation while at the same time stripping them off their intrinsic and equal human rights as individuals who can object to such strictures as and when necessary. In so many ways, a movement such as SlutWalk is a vociferous expression of the radical notion that women are human beings at equal footing with men in our vastly sexist world. Women must be able to wear what they want to wear (or, not wear), they must be able to consent to sexual advances when they want to engage in a sexual activity, and similarly, their wishes must be respected whenever they refuse to be touched. No matter if a woman is being “slutty” or being “serious”, when she says …