All posts filed under: Film Review

Jab Tak Hai Jaan :: A tribute to Yash Chopra

  By Saswat Pattanayak Yash Chopra’s last, Jab Tak Hai Jaan is by far his greatest creation. In many ways, it is one of the grandest experiments in the history of Hindi cinema. However, the aspects that are revolutionary about this movie have not really been deliberated upon by the critics so far. For one, Jab Tak Hai Jaan addresses ageism and sexism that affect a large section of Indian audience. Piyasree Dasgupta for FirstPost writes, “a self proclaimed 25-year-old, who looks 40, gets to kiss a girl who seems to have walked out of Vogue….(the girl) despite all her Mercedes and Gucci glory, can’t keep her hands off a waiter who has an annoying habit of speaking like he is perpetually in an art of living class.” The patriarchy subsuming the likes of Dasgupta cannot make room for anyone subpar in their look books. Therefore, not only is a 40-year old not acceptable – let alone attractive or not (which again are extremely subjective adages) – enough simply because he “looks” a certain age, …

Oscar Awards: White Elephant in the Room

By Saswat Pattanayak Its not about Viola Davis not winning the Oscar. What’s murkier is the psychoanalytic dependency of Academy elites on their colonial legacies: The Queen, the King and now the utterly despicable Thatcher! The rejection of “The Help” actually offers a timely insight: choosing between the white guilt and the white pride has not been very difficult; beckoning to the colonial era has been easier than reevaluating racist legacies. However, this is not the most crucial issue. The overwhelmingly positive obsession of the world with the Oscars is. Here is an award ceremony that is inherently Eurocentric and its recognitions have traditionally been conferred upon mainstream movies upholding the status quo. Academy selectors foster visibilities of selective agendas and validate their approvals. They establish norms of achievements and standards of successes. They throttle thematic diversities and control creative boundaries. They celebrate commercial triumphs and hand out golden statues. They convert a quintessentially free form of artistic climate into a corporatized “industry” of thriving multimillionaires. All this while treating the Euro-American initiatives as comprising …