Padmavati, Karni Sena and the crisis of Hinduism

By Saswat Pattanayak The outrage against Karni Sena is entirely misplaced. These hooligans will eventually be forgiven by their gods because they know not what they do. The real dangerous elements however are those who claim to know better, and yet fervently endorse Padmavati – whether as a fictional character, a historical figure, or as a movie script awaiting screening. In all shape, way, and form, Rani Padmini legacy is a textbook instance of Islamophobia. If the practice of Sati was/is justified by the Hindus as the chaste wife syndrome, the practice of Jauhar which Padmini was said to have…

Jab Tak Hai Jaan :: A tribute to Yash Chopra

By Saswat Pattanayak Yash Chopra’s last, Jab Tak Hai Jaan is by far his greatest creation. In many ways, it is one of the grandest experiments in the history of Hindi cinema. However, the aspects that are revolutionary about this movie have not really been deliberated upon by the critics so far. For one, Jab Tak Hai Jaan addresses ageism and sexism that affect a large section of Indian audience. Piyasree Dasgupta for FirstPost writes, “a self proclaimed 25-year-old, who looks 40, gets to kiss a girl who seems to have walked out of Vogue….(the girl) despite all her Mercedes…

Oscar Awards: White Elephant in the Room

Its not about Viola Davis not winning the Oscar. What’s murkier is the psychoanalytic dependency of Academy elites on their colonial legacies: The Queen, the King and now the utterly despicable Thatcher! The rejection of “The Help” actually offers a timely insight: choosing between the white guilt and the white pride has not been very difficult; beckoning to the colonial era has been easier than reevaluating racist legacies. However, this is not the most crucial issue. The overwhelmingly positive obsession of the world with the Oscars is. Here is an award ceremony that is inherently Eurocentric and its recognitions have…

Capitalism: A Democrat’s Love Story

By Saswat Pattanayak Written for publication in VoxUnion Capitalism: A Love Story, is just that. As occurs in most love stories, there are depictions of mismatched expectations, conflicting situations, remorse and grief, cherished moments, rejoiced nostalgia, idealistic aspirations, and eventually a unilateral resolve to call it quits. Michael Moore’s disillusionment with capitalism is manifested in the current liberal crisis: a crisis that discovers resolve in invoking the founding fathers and preaching moral ethics, a crisis that must indulge in taxonomy of political correctness. Wistful Days of Yore: Most liberal commentators are currently obsessed with the ‘good old days’ before Ronald…

Lage Raho Munna Bhai: The Mahatma Strikes Back!

Well, some news is actually good! Like the news that Munna Bhai is back with his friend Circuit to the silver screen! In an unflinching tribute to his beloved late father Sunil Dutt, who is much missed in this brilliant sequel, Sanjay Dutt has made more than acting come alive. Writer-Director Raju Hirani has once again excelled in popularizing the conventionally absurd, eulogizing the most susceptible, and sketching raw feelings with innate deftness of a master filmmaker. None of the Mumbai films released this year made much sense this year, with the sole exception of Madhur Bhandarkar’s Corporate, which dealt…